Writings

Writings by Annea Lockwood

"Malaman," sound poem, performed by Annea Lockwood, Cordite Poetry Review, Issue 40: Interlocutor, October 2012

"Der Fluss komponiert sich selbst. Eine Klangkarte der Donau", MusikTexte Issue 126, August 2010

"Sound Mapping the Danube River from the Black Forest to the Black Sea: Progress Report, 2001-03"
Soundscape: Journal of Acoustic Ecology, Vol.5 No.1 2004

"What is a River?", Soundscape: Journal of Acoustic Ecology Vol.7 No.1 2007

Interviews

Annea Lockwood's spontaneous world of natural sound, Soundproof June 19, 2015
Hear the complete interview

Interview with Annea Lockwood, Affective Sound Maps, Landscape Stories LS. 13
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Interview with Annea Lockwood, Tobias Fischer, Tokafi
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Five Questions to Annea Lockwood, Xenia Pestova, i care if you listen
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In the Field, ed. Cathy Lane (Uniform Books, 2013)

"Annea Lockwood Beside the Hudson River", Frank Oteri, NewMusicBox, January 2004
Read the complete article / watch the video

Interview in The Oral History of American Music, ed. Vivian Perlis (Yale University, 1997)

Writings about Annea Lockwood

Tape Leaders, a compendium of Early British Electronic Music Composers, Ian Helliwell, Sound on Sound, UK, 2016

Elements and Principles of 4D Art and Design, Ellen Mueller, Oxford University Press, 2016

Unauthored Music and Ready-Made Landscapes, Vadim Keylin, Gli Spazi della Musica, Vol. 4, No. 2, 2015

A Sound Map of the Danube: Die Komponistin Annea Lockwod und ihre Klangkarte der Donau, Gerhard Gensch, Draussen in der Wachau, Band 2, ed. Walter Grond, (Haymon Verlag, Innsbruck-Wien 2012)

Beating Against the Current, Julian Cowley, The Wire, No.340, June 2012

Word Events: Perspectives on Verbal Notation, John Lely and James Saunders (The Continuum International Publishing Group, 2012)

"Von brennenden Klavieren zu Donauklńngen. Die Klangwelt der Annea Lockwood", Jennifer Hymer, MusikTexte Issue 126, August 2010

Pink Noises: Women on Electronic Music and Sound, Tara Rodgers (Duke University Press 2010)

The Source Book: Music of the Avant Garde, 1966-1973, ed. Larry Austin & Douglas Kahn (University of California Press, 2009)

The Expressive Forest: Essays on the arts and ecology in Oceania, Denys Trussell (Brick Row Publishing, 2008)

The Fundamentals of Sonic Art & Sound Design, Tony Gibbs (AVA Academia, 2007)

Sound Art: Beyond Music, Between Categories, Alan Licht (Rizzoli, 2007)

Hermes' Ear, ed. Josef Cseres, HEyeRMEarS (Slovakia, 2006)

"Cross Platform: Annea Lockwood", Julian Cowley, The Wire, No.269, July 2006

"What is a River? Annea Lockwood's Sonic Journeys", Noah Creshevsky, ISAM Newsletter, Vol XXXIV, No.1; Institute for Studies in American Music, Brooklyn College, CUNY 2004

"Annea Lockwood: River of Sound", Jennifer Hymer, Musicworks #84, 2002

HudobnÚ simulacra, Jozef Cseres, HudobnÚ Centrum (Slovakia, 2002)

Noise Water Meat: a history of sound in the arts, Douglas Kahn (MIT Press, 1999)

Der Begriff 'Improvisation' in der Neuen Musik, Sabine Feisst, Berliner Musik Studien, Band 14, 1998

Annea Lockwood's Burning Piano, Scruffed Stones..., Michael Lee, Women & Music Vol.3, 1998

American Music in the Twentieth Century, Kyle Gann (Schirmer, 1997)

Electric Sound: the past and present of electronic music, Joel Chadabe (Prentice Hall, 1997)

Gender and the Musical Canon, Marcia Citron (Cambridge University Press, 1993)

Women & Music: A History, ed. Karin Pendle (Indiana University Press, 1991)

Striding Out: Aspects of Contemporary Dance in Britain, S. Jordan (Dance Books, 1991)

Oxford History of New Zealand Music, J.M.Thomson (Oxford University Press, 1990)

The New Grove Dictionary of Women in Music

The New Grove Dictionary of American Music

The New Grove Dictionary of Musical Instruments